▲《玉树琼花》
布面油画
53×45.5cm
2025年
铺一层大调子
一层又一层
堆叠
挤压
磨挲
揉搓
走近 退远
直至物色隐现
密度里隐藏着时间
体块中推衍着空间
融合
凝固
一片单纯
如此静穆
积厚成器 殊堪玩味
碌碌如玉 珞珞如石
有匪君子 且琢且磨
有匪君子 共相切磋
▲《和樂生财》
布面油画
51×60.5cm
2025年
“骨曰切，象曰磋，玉曰琢，石曰磨；切磋琢磨，乃成宝器。” ——东汉王充《论衡·量知篇》
从日常生活的“有格之物”到近来的新作，孙逊延续着很好的创作状态，且投入了更大的工作量，有一种反复琢磨、深挖细掘的玩味劲。
▲《珊瑚树》
布面油画
60×50cm
2025年
这种玩味首先是题材的选择与意义的错置。民间戏人、戏台及垂幔幕布，幽然而艳丽，在时光的淘洗汰变中、在挤压平叠的空间里，依然透出直面逼视的魅力，亦古亦今，大戏一直在上演。古物珍宝光彩熠熠，招财宝船寓意吉祥，盆花奇石文人幽赏，亦雅亦俗，显然都是好物件，但当抽离现实语境，尺寸与背景加以变换，色层积叠微妙，色域对比鲜明，此物为何物？大可琢磨。
▲《金枝儿》
布面油画
61×46cm
2025年
孙逊的“琢磨”既是创作状态与生活感受的自然流露，更是艺术语言本体的自觉锤炼。凝厚是油画材质之美，但当流动而持续的时间渗入其间，个体的感悟进一步催化发酵，它们相互交织、进退沉浮，呈现出的是真实重塑还是幻象显影？是存在的必然还是偶发的机缘？不宜言说，唯可确定的是，孙逊乐在其中。
厚植根柢,养蓄大器，斯谓之君子乎？
“且琢磨”！
邓锋
2025年3月1日
▲《蓝幕之一》
布面油画
41×53cm
2025年
Contemplate & Create
Sun Xun Solo Exhibition
Scraping
Laying a grand tone
Layer upon layer
Stacking
Compressing
Rubbing
Kneading
Approaching, retreating
Until forms emerge from the haze
Time concealed within density
Space unfolding within mass
Fusing
Solidifying
A realm of simplicity
So solemn
Accumulated depth becomes a vessel, ripe for contemplation
Jade-like in labor, stone-like in austerity
The noble scholar carves and polishes
The noble scholar hones through shared deliberation
▲《戏台》
布面油画
41×53cm
2025年
“Bones are cut, ivory is filed, jade is carved, stone is polished; through cutting, filing, carving, and polishing, precious vessels are formed.”—Wang Chong, Lunheng·Liangzhi Pian (Eastern Han Dynasty)
From the “objects of grace” in daily life to his recent works, Sun Xun maintains a vibrant creative state, investing greater effort into a process of deliberate refinement—digging deep, savoring every nuance.
▲《扮薛仁贵的老孔和演王宝钏的牛姐》
布面油画
275×183cm
2025年
This refinement begins with the choice of subject matter and the subversion of meaning. Folk opera figures, stages, and draped curtains, haunting yet vivid, endure the erosion of time and the compression of layered spaces, retaining their piercing allure. They bridge past and present, as the grand play forever unfolds. Ancient treasures shimmer with splendor; auspicious treasure ships brim with symbolism; scholar’s rocks and potted flowers evoke literati contemplation. These objects straddle the line between elegance and mundanity, yet when stripped of their original context, rescaled, and recontextualized with subtle chromatic layers and stark contrasts—what are they? A riddle to ponder.
▲《大宝船》
布面油画
275×320cm
2025年
Sun Xun’s “Contemplate & Create” is both an organic outpouring of his creative ethos and lived experience, and a disciplined sharpening of artistic language itself. The material beauty of oil paint lies in its density, yet when flowing, persistent time seeps into its layers, catalyzing personal reflections that intertwine, rise, and fall. Is this a true reshaping or an illusion’s revelation? A necessity of existence or a stroke of serendipity? Words falter. What is certain is Sun Xun’s joy in the act itself.
To nurture roots and cultivate greatness—is this not the essence of nobility?
“Contemplate & Create!”
Deng Feng
March 1, 2025
《且琢磨—孙逊个展》
Contemplate & Create
——Sun Xun Solo Exhibition
艺术家：孙逊
Artist：Sun Xun
学术主持：邓锋
Academic support：Deng Feng
主办单位：桥艺术空间
Organizer：Art Bridge Gallery
开幕时间：2025年3月1日 下午3:00
Opening：Marh.1,2025 at 3:00 p.m
展览时间：2025年3月1日—2025年3月30日
Exhibition Date：Marh.1,2025 — Marh.30,2025
展览地点：北京798艺术区D09-1 桥艺术空间
Venue：D09-1,798 Art Zone,Beijing,Art Bridge Gallery
媒体支持：艺术中国/Hi 艺术/艺厘米/腾讯新闻/今
日头条
Media：art.china.cn /hiart space /artcm /qq.com /toutiao.com
关于艺术家
About Artist
孙 逊Sun Xun
1970 出生于贵州省麻江县；
1990 毕业于中央美术学院附中；
1994 毕业于中央美术学院油画系一画室，获学士学位。
1996 毕业于中央美术学院油画系，师从靳尚谊先生，获硕士学位；任教于中央美术学院附中；
2004 结业于中央美术学院首届油画高级研修班；任中央美术学院附中常务副校长；
2007 毕业于中央美术学院，师从靳尚谊、邵大箴先生，获首届实践类博士学位；
现任教于中央美术学院油画系，教授，博士生导师。中国油画学会理事，艺委会委员。
1970Born in Majiang County, Guizhou Province, China.
1990Graduated from the Affiliated High School of the Central Academy of Fine Arts (CAFA).
1994Graduated from the Oil Painting Department (Studio One) of the Central Academy of Fine Arts (CAFA), earning a Bachelor’s degree.
1996Received a Master’s degree from the Oil Painting Department of CAFA under the mentorship of Jin Shangyi. Began teaching at the Affiliated High School of CAFA.
2004Completed the first Advanced Oil Painting Research Program at CAFA. Appointed Executive Vice Principal of the Affiliated High School of CAFA.
2007Earned a Ph.D. (Practice-based) from CAFA under the guidance of Jin Shangyi and Shao Dazhen.
Current PositionsProfessor and Doctoral Supervisor at the Oil Painting Department of CAFA; Council Member and Academic Committee Member of the China Oil Painting Society.
