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茶本灵草,一叶知心。中国古茶,最早源于5000年前神农时期,以茶解毒。而后随着茶文化的发展,品茶又被称为十大雅事之一。所谓茶道即心道,茶空间多以文人书房为骨,禅宗空寂美学为魂,将茶事升华为一场东方哲学实践。洛书数理、阴阳相济。主茶席区多呈太极阴阳鱼布局,乌木、白瓷,茶器,落座即入阴阳平衡之境。空间动线依《茶经》得"一之源、二之具、三之造、四之器"依次展开,移步换景间重现唐代煮茶、宋代点茶、明代瀹茶的时空之变。冥想参禅,品茗社交,抄经悟道,这些都是茶空间的功能。凤凰三点头、七分满迎客,这是专属中国人的茶礼。此间深意,恰在茶汤将满未满时的道场里。
Tea this spiritual grass, a leaf bosom. Ancient Chinese tea, which originated from the Shennong period 5,000 years ago, used tea to detoxify. With the development of tea culture, tea tasting is also known as one of the ten elegant things. The so-called tea ceremony is the heart way, and the tea space mostly takes the literati study as the bone and the empty aesthetics of Zen as the soul, elevating the tea event into an Oriental philosophical practice. Luo Shu mathematics, Yin and Yang. The main tea mat area is mostly a tai chi Yin Yin fish layout, ebony, white porcelain, tea ware, that is, into the balance of Yin and Yang. According to the "Tea Classic", the spatial moving lines of "one source, two tools, three forms and four tools" unfold successively, reproducing the spatio-temporal changes of brewing tea in the Tang Dynasty, ordering tea in the Song Dynasty and brewing tea in the Ming Dynasty. Meditation and meditation, drinking tea and socializing, copying scripture and understanding, these are the functions of tea space. Phoenix three nod, seven points full welcome guests, this is the exclusive Chinese tea ceremony. This deep meaning, just in the tea soup will be full or not when the dojo.
在民宿设计中融入禅茶空间,可以为客人提供一个宁静、放松的体验,同时提升民宿的文化氛围。以下是设计禅茶空间时可以考虑的几个关键要素:一是空间布局:简约开放:禅茶空间应避免过于复杂的装饰,保持简洁、通透的布局,营造宁静的氛围。自然分区:利用屏风、竹帘或低矮的隔断进行功能分区,既保持空间的开放性,又增加私密感。动线流畅:确保空间内动线清晰,方便客人进出和活动。二是材质选择:天然材料:使用木材、竹子、石材等天然材料,体现自然与禅意的结合。质朴质感:避免过于光滑或现代感强的材质,选择带有自然纹理的材料,如原木家具、麻布坐垫等。环保理念:选用环保材料,体现可持续发展的设计理念。三是灯光设计:柔和光线:采用暖色调的灯光,避免过亮或过冷的光源,营造温馨、舒适的氛围。自然采光:尽量利用自然光,搭配纱帘或百叶窗,调节光线强度。局部照明:使用落地灯、壁灯或茶桌上的小台灯,突出茶具或装饰品。四是细节设计:留白艺术:适当留白,避免空间过于拥挤,体现禅意的空灵与简约。手写书法:在墙面或屏风上加入书法作品,增加文化韵味。茶席布置:注重茶席的细节,如茶巾的折叠、茶具的摆放,体现精致与用心。
Integrating zen tea space into the design of the homestay can provide guests with a peaceful and relaxing experience while enhancing the cultural atmosphere of the homestay. The following are several key elements that can be considered when designing Zen tea space: First, space layout: simple and open: Zen tea space should avoid overly complex decoration, maintain a simple and transparent layout, and create a quiet atmosphere. Natural partition: The use of screens, bamboo curtains or low partitions for functional partition, not only to maintain the openness of the space, but also to increase the sense of privacy. Smooth moving line: Ensure clear moving line in the space, convenient for guests to enter and exit and activities. The second is the selection of materials: Natural materials: the use of wood, bamboo, stone and other natural materials, reflecting the combination of nature and Zen. Rustic texture: Avoid overly smooth or modern materials and choose materials with natural textures, such as log furniture and linen cushions. Environmental protection concept: The selection of environmentally friendly materials, reflecting the sustainable development of the design concept. The third is the lighting design: soft light: the use of warm tones of light, avoid too bright or too cold light source, to create a warm and comfortable atmosphere. Natural lighting: Try to use natural light, with gauze curtains or blinds, adjust the intensity of light. Local lighting: Use floor lamps, wall lamps or small table lamps on tea tables to highlight tea sets or decorations. The fourth is the detail design: the art of white space: appropriate white space to avoid overcrowding, reflecting the ethereal and simple Zen. Handwriting calligraphy: Adding calligraphy works on walls or screens to increase cultural charm. Tea table layout: Pay attention to the details of the tea table, such as the folding of the tea towel and the placement of the tea set, reflecting the delicacy and attention.
一、桐庐 · 康莱德
RESIDENTIAL DESIGN
有人提到:即便是最挑剔的酒店爱好者,也会被桐庐康莱德的自然美景所抚慰。“一山独占一酒店”,其建筑巧妙地隐于群山之中,这种宏伟与私密性在江浙沪的国际品牌度假酒店中颇为罕见。所有建筑错落有致地分布在山间或湖畔,前往大堂的蜿蜒公路上,更带来“山水交错、柳暗花明”的视觉享受。
It has been mentioned that even the most discerning hotel lovers will be comforted by the natural beauty of Tonglu Conrad. "One mountain exclusive one hotel", its architecture cleverly hidden in the mountains, this kind of grandeur and privacy in Jiangsu, Zhejiang and Shanghai international brand resort hotel is quite rare. All the buildings are scattered in the mountains or by the lake, and the winding road to the lobby brings the visual enjoyment of "landscape interleaving, willows and flowers".
山岚由湖面水汽蒸发形成,日复一日地掠过湖岸,飘过林梢,在绵延的山谷间缓缓游移。依山傍水的桐庐康莱德酒店,便隐匿于这有时淡有时浓的脉脉云烟之中。若选择一天中最美的将夜未夜时分前往,沿着山林间蜿蜒的公路前行,顺着视线里柔和的灯光,转过几道和缓的弯,穿过数重薄薄的雾气,便能抵达目的地。桐庐康莱德酒店的灯光设计,出自2019英国照明设计奖(LDA)酒店类别大奖得主PROL光石之手。巧合的是,凭借此项目,光石再度入围2020 LDA酒店类设计奖,成为全球8个候选项目之一。此外,这一项目还荣获了2020“美尚奖 - 照明设计专项金奖”等专业奖项。作为业内首个提出“探索光的隐性价值”的设计机构,光石的关注点不仅在于怎样运用光线点亮夜色中的酒店,更在于如何通过对整体光环境进行管理,使酒店与蓝色星空下的山光水色相互交融辉映,从而将酒店隐入山林之中。
Mountains and mountains, formed by the evaporation of water from lakes, glide day after day over the shore, over the tops of forests, and slowly through the long valleys. The Conrad Tonglu Hotel, near the mountains and by the water, is hidden in this sometimes light and sometimes thick pulse clouds. If you choose the most beautiful part of the day will go at night, along the winding road in the mountains, along the line of sight of the soft light, turn a few gentle bends, through several thin fog, you can reach the destination. The lighting design of Conrad Tonglu is by PROL Lightstone, winner of the Hotel Category at the 2019 British Lighting Design Awards (LDA). Coincidentally, with this project, Lightstone has once again been shortlisted for the 2020 LDA Hotel Design Award, becoming one of eight shortlisted projects worldwide. In addition, this project has also won the 2020 "Merchamp Award - Lighting Design Special Gold Medal" and other professional awards. As the first design agency in the industry to propose "exploring the hidden value of light", the focus of light stone is not only how to use light to light up the hotel in the night, but also how to manage the overall light environment, so that the hotel and the mountains and water colors under the blue sky blend with each other, so as to hide the hotel in the mountains and forests.
二、空间美学
RESIDENTIAL DESIGN
“光的体验感,一定源于内心,归于自然,这是东方的隐喻之美,这也是东方的至理哲学。”设计在客房建筑向内凹陷的人字挑檐结构处以及建筑内部。结合这种结构特点,尽管建筑的顶部和外立面没有任何可见光源,但那轻洒漫溢在屋檐和墙角的光,不经意间便勾勒渲染出屋檐与短墙浑朴雅致的造型与质感。在湖岸和山谷间,一栋栋建筑从内部被点亮,错落有致地点缀其中。光从内侧隐隐勾描出建筑的前立面及整体轮廓;而屋顶和侧立面,则悄然融入溶溶月色之中。白天清晰利落的建筑体块,在光的渲染与收敛之间,实现了与夜的完美融合。
The design is in the indented herringbone eave structure of the guest room building and the interior of the building. Combined with this structural feature, although there is no visible light source on the top and facade of the building, the light spilling over the eaves and corners inadvertently Outlines and renders the simple and elegant shape and texture of the eaves and short walls. Between the lakeshore and the valley, buildings are lit from the inside and dotted. Light from the inside reveals the front facade and overall outline of the building; The roof and side facades blend quietly into the melting moonlight. The clear and crisp building blocks of the day, between the rendering and convergence of light, achieve a perfect integration with the night.
在设计艺术品陈设照明时,有意弱化周围空间。当住客置身于相对幽暗的空间中,偶然遇见某件被一束柔光照耀的陈设;光已悄然无声地将视线和心念引向一盆花、一幅画或一件雕塑。那一刻,生活变得如此纯净安宁;身边环绕的,唯有无边无际的静谧,以及触动心灵的美。
When designing artwork furnishings and lighting, the surrounding space is intentionally weakened. When guests are in a relatively dark space, they come across a piece of furniture illuminated by a soft light; Light has quietly directed eyes and thoughts to a pot of flowers, a painting or a sculpture. In that moment, life becomes so pure and peaceful; Surrounded by nothing but boundless silence and beauty that touches the heart.
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